Previous AEMM Graduate Theses
| Year | First Name | Last Name | Thesis Title |
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| 2004 | Joshua | Hanes | Music and Society's Influence on One Another Over The Last Fifty Years in America |
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| 2003 | Tequila Sharlene | Coleman | TSC Music Management Company Business Plan (2 copies) |
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| 2003 | Joe | Davis | Manual of Documents and Systems for JAD Productions |
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| 2003 | Deborah | Hill | Journey into the World of Concert Promotions |
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| 2003 | Jacqueline | Hudson | A Study of Audio Merchandising of Urban Music at Virgin Megastore Chicago |
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| 2003 | Maria Izabel | Leme-Harris | Carnival and Management: How Il? Aiy? Organizes Itself for Its Carnival Festivities. |
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| 2003 | Hyun-Jin | Roh | Website Design for StudioRPlus |
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| 2002 | Kwadwo | Oppong-Wadie | Independent Record Labels and the Importance of Digital Technology to Their Survival |
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| 2002 | Vanessa | Page | The African Dispora Film Festival |
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| 2002 | Tanya | Ransom | Distribution Alternatives For Independent Filmakers |
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| 2002 | Scott | Zacher | Producing, Presenting and Surviving Slasher Sleepover |
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| 2001 | Tina Lee | Cox | Developing A Recording Artist |
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| 2001 | James | Dzwerzynski | The Columbia Exposition Business Plan |
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| 2001 | Martin | Perlow | Business Planning for the Creation, Operation, and Expansion of a Small Graphic Design Firm |
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| 2001 | Trevor | Peters | Business Plan For Culture1.com |
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| 2001 | Chia-hsing | Tsai | International Arts Management- An Introductory Touring Handbook for East & Southeast Asia |
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| 2000 | Kathleen | Beckman | Vol. 1-2 Manual of Documents and Systems of the Chicago International Children's Film Festival |
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| 2000 | Russell | Breimeier | Contemporary Christian Music-The Business of Music and Ministry |
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| 2000 | Emily | Duff | The Development Running of the National Music Workshop and Dayjams |
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| 2000 | John | Guertin | Intersound, Inc.- Mechanical Licensing Manual- A Manual for the Coordination and Administration of the Outside Mechanical Licensing, Royalty Payment and Copyright Registration Process for Releasing a Record |
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| 2000 | Beth | Mayfield | To Accommodate, Market and Maintain Installation Art |
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| 1999 | Keith | Brundige | Jazz: An African/African-American Portrait |
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| 1999 | Randall | Clark | The Artist as Entrepreneur: Entrepreneurship for Visual Artists(EVA), A One Semester Text For Undergraduate Visual Arts Students |
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| 1999 | Gina | Gayle | Strategic Management Plan of the Southside Community Art Center |
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| 1999 | Symon Gwaro | Ogeto | Project Manual For Seed Tours and Safaris Incorporated |
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| 1998 | So-Young | Hong | Public Awareness and Audience Development Plan for the Terra Museum of American Art |
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| 1998 | Niven | Kingwell | Stewardship Plan for the Development Department of Ravina Association |
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| 1998 | Ed Rivadavia | Lopes | The Best Musician You Never Heard In Your Life: Frank Zappa's Fight Against Censorship |
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| 1997 | Jane | Jacob | Stolen Art: The Case for Registration |
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| 1997 | Dayna Martinez | King | Booking Name Stars in Symphonic Pops Concerts for the Purpose of Audience Development |
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| 1997 | Leslie | Krantz | Pratical Guide for Establishing a Financial Job Function at a Commercial Presenting Theatrical Organization |
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| 1997 | J.D. | Ma | Slis Industries' Project Manual for Garfield Pencil Project |
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| 1997 | Kathryn | McKee | A Proposal For AT&T Chicago: Investments in the Arts as a Strategic Advantage |
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| 1996 | Ming-Shinn | Chen | A Commercial Gallery in the City of Chicago: Ming International Fine Arts Gallery |
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| 1996 | Darrell | Copeland | The Process of Scounting, Developing, and Marketing A New Model |
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| 1996 | Alecia Flint | Dixon | The Production, Publishing, and Distribution of Gospel Music: A Reference Manual |
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| 1996 | Leah | Gauler | Public Art and the Role of the Community |
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| 1996 | Menucha | Poleg | Media's Transformation in the Age fo Information |
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| 1996 | Amy Ann | Rasmussen | A Feasibility Study of the Relationship Between The Chicago Chamber of Musicians and The Chicago String Quartet |
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| 1996 | Nida | Tautvydas | Establishing Financial Operations: A Reference for New and Emerging Non-Profit Arts Organizations |
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| 1996 | Lisa Marie Chew | Wainwright | Hubbard Street Dance Chicago Long Range Strategic Plan (4) |
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| 1995 | Tomomi | Anabuki | Preliminary Assessment For Budget Form Revision |
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| 1995 | Robin | Gitelman | O'Brien Showcases Three Year Business Plan |
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| 1995 | George Michael | Minford | Business Theater: The Evolution and Applications of Live Performances as a Business Communications Medium in the United States |
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| 1995 | Fatima | Mussa | The Impact of New Technologies in the Music Business |
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| 1995 | Caroline | Schless | Piven Theatre Workshop Policies and Procedures Manual- A Working Document |
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| 1995 | K.T. | Subsuksombud | The Telecommunications Industry of Thailand: A Public/Private Model of Infrastructure Development In A Rapidly-Growing Economy |
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| 1995 | Jonathan D. | Wray | A Strategic Plan for JDUB Entertainment and Jazzy Tam Films |
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| 1994 | Andrea | Davis | Multimedia-The Convergence of Telecommunications on the Entertainment Industry |
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| 1994 | Elizabeth | Dorsey | A Working Draft of a Finance/Accounting- Policy and Procedure Manual |
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| 1994 | Richard | Jacobs | Strategic Planning for Famous Door Theatre Co., A Small, Non-Profit, Non-Equity, Professional Theatre Company |
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| 1994 | Paul | Knutson | A Handbook of Video Conferencing Technologies and Procedures |
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| 1994 | Lai | Li-Hwei | The Prospect of Selling Engilsh Language Children's Books in Taiwan |
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| 1994 | Brian | Nash | Aids, Homophobia, and the Media |
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| 1994 | Gail | Swerdlik-Fisher | Board of Directors Can Make a Difference- A Case Study of Seven Musical Arts Organizations in Chicago |
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| 1994 | Jay Alan | Vinitsky | An Investigation into the Spertus Institute of Jewish Studies: Determining Computer Needs for the 90's and Finding Efficiency in the Non-Profit World |
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| 1993 | Ajeenah | Crittendon | A Management Analysis on What Went Wrong? At Orion Pictures Corporation |
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| 1993 | Nan R. | Warshaw | Independent Booking of Alternative Rock |
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| 1993 | Sally Winner | Weiss | Getting the Picture- A Feasibility Study on the Establishment of An Agency For The Purpose of Promoting Film and Video Production in Monroe County, New York |
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| 1992 | Barbara | Edfors | Taking A Chance on Revivals: A Risk Assesment Model for the Production of Seldom Revived Works of the American Musical Theatre |
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| 1992 | Jamyn | Flynn | Converting a Manual Art Museum Collection System to a Computerized Art Museum Collection System |
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| 1992 | Michael | Friedman | The State of the Jazz/Aesthetic: An Analysis of the Participation of Arts Managers in the Marketing of the Current Philosopy |
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| 1992 | John | Macrae | The Nature of Business: A Business Plan for a Small Service Company |
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| 1992 | Nicolas | Pipas | "Marketest-Examtest" |
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| 1992 | Marcia Lauzon | Schalk | First Night: Celebrating the Arts at the City Center |
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| 1991 | Carol Lee | Mika | "The Recording History of the Chicago Symphony Orchestra From 1968-1978: A Case Study of the Transition From and Exclusive Recording Contract to Multiple Recording Contracts Between American Orchestras and Recording Companies" |
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| 1991 | Patricia | O'Connell | Chicago Day: An Evaluation of Publicity Response to a Day of Free Admission at Chicago Cultural Institutions |
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| 1990 | Renata | Chorzempa | The Judicial and Legislative History of Copyright Protection of Computer Software |
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| 1990 | Sherry Lynn | DeVries | A Case Study of the Development of the Five-Year Marketing Plan For the Field Museum of National History Chicago, IL |
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| 1990 | Robert | English | Crossover Music: A Marketing and Musical Analysis |
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| 1990 | Robert | Leuder | The First Ammendment and the Arts |
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| 1990 | Nik-ki | Wittingham | Arts Management in the 90's: The Essential Annotated Bibliography |
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| 1989 | Michele | Anderson | The Importance of the Economic Balance Between the Revenue Producing Source and an Arts Organization in a Multi-Use Arts Facility |
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| 1989 | Mary | Carmody | TGC Music: A Business Plan |
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| 1989 | Tanya | Cook | The Ramifications of Corporate Art Collecting In Terms of Company Image and Employee Motivation |
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| 1989 | Debra | Hale | Rock/Pop Artists Management in Chicago: A Guide for Beginners |
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| 1989 | Anne Edvenson | Sadowski | The Uncertain Future of Chamber Music: The Interrelationships Between Changing Demographics Lifestyle, and Repertoire of Chamber Music |
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| 1988 | M. Penelope | Cagney | An Examination of Private Sector Funding in Key British Arts Organizations |
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| 1988 | Debra | Hawkins | The Impact of Technology on the Newspaper Industry |
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| 1988 | Jane | Johnson | Integrating the Arts Into the Curriculum |
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| 1988 | John | Lochen | Alternative Music Marketing and College Radio |
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| 1988 | Karin | Olson | The Elgin Symphony Orchestra- A Comparative Perspective |
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| 1988 | Jerrold St. Jorge | Vesely | Special Films in Chicago A Marketing Study |
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| 1988 | Beverly A. | Williams | Not-For-Profit Board of Directors- The Occupational Base and Monetary Value of Their Time |
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| 1987 | Cynthia | Berquist | "Bringing in the Bucks": Fundraising For the Small Performing Arts Company |
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| 1987 | Timothy | Gunsolley | Management Turnover in the Regional Symphony Orchestra |
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| 1987 | Lou | Guthrie | Creative Environments of the Artist: External Stimuli and Work Environments Which Facilitate and Encourage the Apperance of Creative Thoughts and Actions |
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| 1987 | Dale | Roadcap | The Responsibility and Authority of Artist & Repertoire As It Relates to the Successful Acquisition and Development of Musical Talent |
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| 1987 | Gary | Smiley | Retailing the Arts- A Feasibility Study of Merchandising as a Form of Supplementary Earned Income for Arts Organizations |
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| 1987 | Pamela | Solon | Cable Television Through A Zoom Lens |
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| 1987 | Sandra Baker | Sticha | Educational Outreach as a Marketing Tool: An Analysis of Six Chicago Theaters |
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| 1986 | Julie | Falen | The Issue of Liability Insurance as it Pertains to the Business of Presenting Live Musical Entertainment |
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| 1986 | Jennifer | Fischer | The Sociological, Psychological, and Political Impacts on Musical Taste |
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| 1986 | Mary | Jerz | An Entertainment Needs Assesment Survey Conducted at the University of Chicago |
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| 1986 | Steven | Mandelman | A Corporate Cirriculum in Non-Monetary Transaction |
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| 1986 | Leslie | Romero | Corporate Contributions to the Arts- A Subjective Study of the Corporate Giving Climate and Corporate Support of the Arts in Chicago, in the 1980's |
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| 1986 | Paula | Uhrig | Creating A Telemarketing Campaign For A Small Non-Profit Organization or How To Get Subscriptions on $267.02 |
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| 1985 | Mary Amelia | Bergstorm | Arts Education: Development of a Young Audience Program |
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| 1985 | Hilton Herman | Weinberg | The Prerecorded Music Industry: Structure, Function and Direct Marketing |
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| 1984 | Judith Schein | Cohen | The Development Plan for Centre East |
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| 1984 | Amy | Lerner | The Role of the Not-For-Profit Organization in Promoting and Enriching the Cultural Vitality of an Urban Community |
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| 1984 | Nora | Vandieu | Sales Tax Revenue for the Arts A Case Study |