MFA in Poetry - Sample Course Descriptions
Poetry Workshops
Craft Seminars
Literature Courses
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Columbia College Graduate School
Note: (These are samples only. Course offerings are subject to change and not all courses are offered each term or each year. Be sure to check the online course catalog and the current class schedule for details about pre-requisites, terms offered, class fees, etc.).
Poetry Workshops
MFA Poetry Workshop
The aim of poetry workshops is to develop the poetry writing skills of students
and to help them possess a greater creative, critical, and aesthetic understanding
of their discipline. Students are encouraged to write poetry of the very
highest quality. Workshop format makes use of reading assignments, writing
exercises, and critique of student work. Students are expected to become
familiar with a wide range of models and formal strategies.
52-6500, 3 credits
Craft Seminars
Craft Seminars are designed to combine the writing of poetry by graduate students with the study of various poetic topics, theories, and forms. As a result of reading and assessing assigned texts, craft seminars encourage students to examine and articulate their own craft. The following is a list of craft seminars offered in the MFA Poetry program to date:
Blur: A Craft Seminar in Hybrid Poetics
Forms of Poetry
Forms of Poetry: Multicultural Traditions
Literary Collage and Collaboration
Poetics of the New York School
Poetics: Radical Strategies
Seminar in Poetry Translation
52-6531, 3 credits
Literature Classes
Modern British and American Poetry
Works of poets such as Yeats, Pound, Eliot, Stein, Bishop, Frost, Auden, Williams,
and others are read and discussed in this survey of the Modernist Period,
1900-1945. The course also provides an introduction to post-modernism.
52-5671, 3 credits
Contemporary American Poetry
Works of poets such as Roethke, Ginsberg, Plath, Lowell, Ashbery, Rich, Creeley,
Bly, Baraka, Brooks, and others are read and discussed in a survey of the
Post-Modernist Period, 1945- Present. The course also examines the rise of
important movements such as: Projectivism, the Beats, the New York School,
Confessional Poetry, Surrealism, Feminism, the New Formalism, and Multiculturalism.
52-5672, 3 credits
Women Romantic Poets
In this revisionist look at the Romantic Period, students study the poems of
women writers who made a significant, if often overlooked, contribution to
the period. Focus is primarily on the artistic merits of the poetry, but
consideration is also given to the ways in which the definition of the term ?Romantic
Poet? might have to be rethought if these writers are to be incorporated
in the cannon. Among the writers studied are: Anna Laetitia Barbauld, Hannah
More, Charlotte Smith, Ann Yearsley, Mary Robinson, Helen Maria Williams,
Dorothy Wordsworth, Mary Tighe, Felicia Hemans, Letitia Elizabeth Landon,
and Elizabeth Barrett Browning.
52-5706, 3 credits
Poetry of the Long Romantic Era
As a philosophy and an aesthetic, Romanticism continues to shape poetry today.
This course surveys the long history of Romanticism from 1750-1900, considering
key poets in the context of the aesthetic developments that gave rise to
Romanticism and examining the legacy of Romanticism for later poets. Authors
studied include: Edward Young, Lady Montagu, Thomas Gray, Oliver Goldsmith,
the Wordsworths, S.T. Coleridge, Mary Robinson, John Keats, Alfred Tennyson,
Christina Rossetti, and George Meredith.
52-5673, 3 credits
Contemporary World Poetry
Contemporary World Poetry offers students the opportunity to engage in the
comparative study of poets and poetics issuing from Africa, Asia, Europe,
the Middle East, and the Americas. Poets covered include: Neruda, Paz, Walcott,
Amichai, Transtromer, Milosz, Popa, Hikmet, Darwish, Soyinka, Tamura, and
Bly. Whenever necessary, poems are read in translation.
52-5678, 3 credits
Seminar in Literature: Sexton, Oliver and Olds
Students engage in the comparative study of three of the most potent poets
of their respective generations: Anne Sexton, Mary Oliver, and Sharon Olds.
Discussions of these poets cover the following topics: gender politics, the
currency of ?nature? poetry, the lyric poet as shaman, lyric poetry
as psychoanalysis, lyric poetry as purgative, the poetry of meaning, and
poetry as survival impulse.
52-5690, 3 credits
The Metaphysical Poets
The Metaphysical and the Cavalier poets of the early 17th century wrote intense
lyric reflections on human experience that exerted influence well into the
20th century. Their rationalist perspectives on life and death, love and
fear, faith and doubt, and other enduring human concerns were articulated
in carefully elaborated, at times dissonant, figures and images. The course
covers the techniques, aesthetics, and influence of poets such as: Donne,
Herbert, Lanyer, Vaughn, Crashaw, Wroth, Jonson, Herrick, Suckling, and Marvell.
52-6674, 3 credits