Mark Tucker Fund for Jazz Research Materials
This fund was established in 2000 at the Center for Black Music Research to benefit the CBMR Library and Archives. The funds will be used to purchase materials in subject areas in which Mark had particular interest. Emphasis is placed on acquiring reference books, hard-to-get items, and original materials.
Make an online contribution, or mail checks or credit card information to Mark Tucker Fund, Center for Black Music Research, Columbia College, 600 S. Michigan Avenue, Chicago, IL 60605-1996.
Mark Tucker (1954-2000), long-time friend and Associate of the Center, was an internationally recognized scholar of American jazz and the author or editor of The Duke Ellington Reader (Oxford University Press, 1993), Ellington: The Early Years (University of Illinois Press, 1991), and, with Garvin Bushell, Jazz from the Beginning (University of Michigan Press, 1988). Beyond his exemplary professional activities, Mark supported the CBMR and its constituency in many important ways, including presenting papers at the Center's Conferences on Black Music Research, serving as a member of the CBMR's Editorial Advisory Board from 1988 until his death, and serving as guest editor of two issues of Black Music Research Journal: “Duke Ellington's Black, Brown and Beige” (13, no. 2) and “New Perspectives on Thelonious Monk” (19, no. 2). His article “In Search of Will Vodery,” published in BMRJ (16, no. 1), received the Sonneck Society's Irving Lowens Award for the best article on American music published during 1996. That same article was re-issued in “The Best of BMRJ” in 2004. The fund was established in his honor by his wife, Carol Oja, and his children, Zoe and Wynn Tucker, to help perpetuate research in his particular area of interest.
Materials Purchased by the Tucker Fund
Historic Jazz Discographies
Backus, Rob. Fire Music: A Political History of Jazz. 2nd ed. [Kalamazoo, Mich.?]: Vanguard Press, 1976.
Blues Research, nos. 1-9. New York: Record Research, -1962. Intended as a supplement to the jazz-oriented magazine Record Research, this mimeographed magazine covers the independent rhythm and blues labels of the postwar era and has spaces in the label discographies so that missing information can be filled in by the subscriber.
Burns, Mick. The Great Olympia Band. New Orleans: Jazzology Press, 2001. Includes a CD of performances by the band discussed.
Carr, Peter. Jimmy Archey: The Little Giant of the Trombone. New Orleans: Jazzology Press, 1999. Includes a CD of performances by the musician discussed.
Coller, Derek. Jess Stacy: The Quiet Man of Jazz. New Orleans: Jazzology Press, 1997. Includes a CD of performances by the musician discussed.
Delaunay, Charles. Hot Discographie 1943. Paris: Collection du Hot-Club de France, 1944. A classic, first published in 1936, by a French compiler.
Evensmo, Jan. The Tenor Saxophonists of the Period 1930-1942. Jazz Solography Series, "Vol. 1 presenting Leon Chu Berry, Herschal Evans, Coleman Hawkins, Ben Webster, [and] Lester Young, with critical assessment of all their known recordings and broadcasts." Oslo, Norway: The author, 1969. A different approach to discography - solo by solo.
Godbolt, Jim. The World of Jazz in Printed Ephemera and Collectibles. Secaucus, N.J.: Wellfleet Press, 1990.
Hazeldine, Mike, comp. and ed. Bill Russell's American Music. New Orleans: Jazzology Press, 1993. A history of the record label that recorded many New Orleans musicians. Includes a CD of performances by bands recorded for the label.
Hazeldine, Mike, and Barry Martyn. Bunk Johnson: Song of the Wanderer. New Orleans: Jazzology Press, 2000. Includes a CD of interviews and performances by the musician discussed.
Herzog zu Mecklenburg, Carl Gregor. International Jazz Bibliography: Jazz Books from 1919 to 1968. Strasbourg [France]: Editions P.H. Heitz and Baden-Baden [Germany]: Verlag Heitz, 1969. One of the first scholarly bibliographies of jazz, with introductions in German and English.
Hoffmann, Franz. Jazz Advertised in the Negropress. 8 vols. Berlin, Germany: F. Hoffmann, c1980, 1989. The compiler's self-published documentation of advertisements for jazz events in the major black newspapers; includes a separate index volume that covers advertisements naming individuals, bands, venues and clubs, and films in East Coast newspapers and the Chicago Defender between 1910 and 1967.
—. Jazz Reviewed 1910-1967 out of the New England Negro Press. Vol. 1. Berlin: F. Hoffman, 1995. The only volume published so far in this series.
The Jazzfinder '49. New Orleans: Orin Blackstone, 1949.
Jepsen, Jorgen Grunnet. A Discography of Billie Holiday. Copenhagen: Karl Emil Knudsen, 1969. Discographies also focus on individual musicians. This one is by a Dane who also compiled and published a multi-volume comprehensive jazz discography.
Kernfeld, Barry, ed. The New Grove Dictionary of Jazz. 2nd ed. New York: Macmillan, 2002. A three-volume reference work that is indispensable for jazz research.
Knowles, Richard H. Fallen Heroes: A History of New Orleans Brass Bands. New Orleans: Jazzology Press, 1996. Includes a CD of performances by the bands discussed and interviews with the musicians.
Lord, Tom. Clarence Williams. Chigwell, England: Storyville Publications, 1976.
Martyn, Barry. New Orleans Jazz: The End of the Beginning. New Orleans: Jazzology Press, 1998. Includes a CD of interviews about jazzman Chris Kelly with his family and fellow musicians.
Martyn, Barry, and Mike Hazeldine, comps. and eds. New Orleans Style. Bill Russell, New Orleans: Jazzology Press, 1994.
The Needle: Record Collector's Guide. Jackson Heights, N.Y. Four issues: 1, no. 2-5 [sic] (September, October and November 1944) and 2, no. 1 (1945). Intended for collectors, this unassuming little magazine includes record reviews, articles on musicians, and commentary, as well as ads for records wanted and records for sale.
Panassie, Hugues. La Musique de Jazz et le Swing. Paris: Correa, 1945.
Pensoneault, Ken, and Carl Sales. Jazz Discography: Additions and Corrections. Jackson, Heights, N.Y.: The Needle, 1944. Corrections and additions to Delaunay's Hot Discographie.
Ramsey, Frederic, Jr. A Guide to Longplay Jazz Records. New York: Long Player Publications, 1954.
Ruppli, Michel. The Clef/Verve Labels: A Discography. Volume I: The Norman Granz Era; Volume II: The MGM Era. New York: Greenwood Press, 1986.
Strateman, Klaus. Negro Bands on Film. Volume 1: Big Bands 1928-1950. Lubeckke: Verlag Uhle & Kleimann, 1981.
Wilson, John S. The Collector's Jazz: Modern. New York: J. B. Lippincott, 1959.
Basie, Count. Blues by Basie. New York: Bregman, Vocco and Conn, . Song folios like this one contain transcriptions from recordings to assist amateur musicians in playing them.
Powell, Eddie, arr. Stock arrangement of Bubber Miley and Duke Ellington's Black and Tan Fantasy. New York: Gotham Music Service, 1927. This set of parts for dance band, which includes parts for saxophones and parts for violin and banjo, is heavily marked by the performers and also includes manuscript parts for an added introduction. It once belonged to a Chicago band.