Faculty Spotlight
Faculty
G. Thomas Allen
Instructional Areas
MUSC 174-07, MUSC 271, MUSC 371, MUSC 471
William Boris
Instructional Areas
Jazz Guitar Instruction, Guitar Tech, Fusion Ensemble
Kazimir Boyle
Instructional Areas
MFA Music Composition for the Screen: Electronic Orchestration, Acoustic and Hybrid Orchestration, Screen Music Forum
Rafe Bradford
Joel Corelitz
Instructional Areas
My method, focused mainly on communication and iteration in response to feedback, aims to give emerging composers the necessary skills to excel at what makes composing for game unique.
Daniel Czukerberg
Craig Davis Pinson
Instructional Areas
Musicology, Ethnomusicology, Popular Music Studies, Sound Studies, Music History.
Daniel Dehaan
Instructional Areas
Music Technology, Music Composition, Sound Design, Electronic Music Composition & Performance, Music and Sound Designed for Augmented and Virtual Realities, Musical Programming
Jeffrey Derringer
Instructional Areas
Digital Music Production 1 Digital Music Production 2
Timothy Edwards
Instructional Areas
Composition, Music Theory, Aural Skills, Counterpoint, Orchestration, Contemporary Music, Jazz Harmony, Writing about Music, Electronic Music, Computer Music Programming
Nicholas Eipers
Instructional Areas
Audio Arts & Acoustics; Audio Design & Production; Music Recording
Lon Ellenberger
Instructional Areas
Voice Instruction, Technical and Stylistic application of the voice
Stacy Erenberg
Buddy Fambro
Instructional Areas
Theatre music, jazz improvisation and music production.
Derek Fawcett
Instructional Areas
Private Voice Lessons (contemporary music and jazz), Songwriting, Improvisation
Christopher Goldston
Instructional Areas
piano, class piano, keyboard, theory, composition
Visda Goudarzi
Instructional Areas
Human-computer interaction, Sonic Interaction Design, Audio Programming, Audio Signal Processing, Performative Electronic and Computer Music, Research Methods, Interactive Arts.
David Grant
Instructional Areas
Foundations of Music 3 and 4, Music Fundamentals, Composition
Stuart Greenspan
Instructional Areas
Music Theory, Foundations, Ensembles, Electric Bass, Guitar
Thomas Gunther
Instructional Areas
• Courses that teach how to utilize music recording and production hardware/software, • Piano/keyboard courses and privat lessons, • Music arranging & orchestration courses with emphesis on jazz and popular music genres, • Music theory and listening related courses,
Scott Hall
Instructional Areas
Music, Jazz, Composition, Arranging, Music Business, Private Instruction, Ensembles
Charles Heath
Instructional Areas
Jazz, Theater, R and B, Pop, and Rock Drumming. Teaching k-12 general music/piano lab
Sebastian Huydts
Instructional Areas
Director New Music Ensemble, Orchestration and Arranging, Composition, Music Technology
Kimberly Jones
Jill Kaeding-Gailloreto
Jeremy Kahn
Kelci Kosin
Instructional Areas
Vocal Studies, Vocal Technique, Artistry Development, Vocal Pedagogy, Vocology, Musical Theatre Studies, Pop/ Contemporary Vocals.
Joshua Lava
Ilya Levinson
Instructional Areas
Schillinger System of Musical Composition, Use of folk idioms in the concert music, Polytonality, Extended tonality, Polyrhythms
Leandro Lopez Varady
Curt Marolt
Instructional Areas
Audio Arts & Acoustics: Applied Audio & Music Production, Audio Production II
Amina Norman-Hawkins
Instructional Areas
Hip-Hop History, African American Music,
Matthew Oliphant
John Paris
Instructional Areas
Foundations Of Music 1 Foundations Of Music Lab 1 Afro Latin and Caribbean Music
Brice Puls
Eric Rutherford
Lee Sanders
Instructional Areas
Composition for media, incorporating traditional acoustic instruments from a variety of global traditions along with electronic resources.
Rosita Sands
Instructional Areas
African-American Music History, Music of the African Diaspora, World Music Cultures, Music Pedagogy
Philip Seward
Instructional Areas
Composition, Piano, Analysis, Aural Skills, Critical Listening, Theory
Kubilay Uner
Instructional Areas
Music composition and production for visual media (film, TV, advertising, and experiential installations).
Petter Wahlback
Instructional Areas
Music Composition, Arranging and Orchestration, Music Theory, Ear Training, Production, and Technology; Current Classes: Foundations of Music I and II (producing), Foundations of Music Lab I and II, Music Fundamentals; Past Classes: Notation and Recording Lab, Music Theory I, II, III, and IV, Aural Skills I, II, III, and IV, Music Printing, Creating Music (HSSI).
Howard Weiss
Instructional Areas
Foundations of music III and IV, Music Styles and Analysis, Music Through the Ages and saxophone performance.
Ellen Winters Reynolds
Instructional Areas
Vocal Arranging and Writing, Vocal Coaching in Musical Theatre, Cabaret and Jazz.
Gary Yerkins
Instructional Areas
Songwriting, music production, collaboration, curriculum development, performance coaching
Peter Xinya Zhang
Instructional Areas
Psychoacoustics, sound perception, cognition, auditory physiology, musical acoustics, vibration, acoustical testing, singing voice, vibration, architectural acoustics, acoustical modeling, Peking opera, Chinese traditional performing arts.