Music Composition for the Screen (MFA)

Time to degree: Two years (54 credits)

To succeed as a media composer, you need to be ready to adapt to an ever-evolving music-for-media landscape. Columbia College Chicago's two-year Music Composition for the Screen Master of Fine Arts program is designed to give you the connections and hands-on experience you need to develop your own voice, launch your career, and succeed in the industry.

music composition for the screen

The MFA composition program covers composing for a wide variety of genres in film, TV, video games, and augmented and virtual reality (AR/VR). Beyond the art of dramatic scoring, you'll master rapidly developing technical industry standards in media music production and gain hands-on experience with everything from programming cutting-edge digital instruments to conducting professional live musicians. You'll learn how to adapt your music to different contexts in courses on the unique processes of film, TV, and interactive media. Our faculty of working professionals and our visiting composers-in-residence mentor you by providing practical advice and candid feedback.

The program culminates in a five-week capstone in Los Angeles. With the guidance of the program director, you’ll choose a composer to intern with based on your interests and aspirations. You'll also lead a recording session of your thesis project with a full live orchestra in a professional studio. 


Music Composition MFA Columbia Miriam Cutler

“I wish I had something like this when I was starting out. The students are really getting the maximum exposure. It’s one-of-a-kind.”

-Miriam Cutler, Composer-in-Residence (2017) 

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Professional composers at the height of their careers come to Columbia to workshop with students for seven weeks at a time. You work with these composers-in-residence to rescore one of their original projects from start to finish. Think of this as a flight simulator: the composers recreate real challenges they faced on the project, teaching you how to anticipate problems and adjust to them. It’s a safe space for you to make mistakes and learn from them without risking your career. You’ll see how a project comes to fruition in the real world.

Recent composers-in-residence include Joe Kraemer (Mission Impossible: Rogue Nation), Ronit Kirchman (The Sinner), and Chance Thomas (The Lord of the Rings Online).

Learn more about the Composers-in-Residence program.

Real-World Practice


Columbia’s program is unique because it is structured around scoring full-length projects. Instead of working on a few isolated scenes, you will deal with entire feature films, TV shows, video games, and other full-length visual media projects. These projects allow you to practice scoring as it is done in the real world, learn how music evolves to tell a complete story, and see the full context of a score.

Internships and Networking

Professional preparation is an important aspect of the Music Composition for the Screen MFA program. The program’s capstone is a five-week term in Los Angeles. You'll intern with a composer in your preferred style and genre. During this experience, you'll also gain insight from industry professionals and conduct a recording session with a full professional studio orchestra, mixed by a leading scoring engineer. 

By the time you graduate, you will have developed a body of work and a professional network that will help propel you into the industry with confidence. You’ll take advantage of Columbia’s interdisciplinary environment and find collaborators in Chicago’s world-class music scene. Columbia is home to one of America's largest film and TV departments, which has produced a number of Oscar, Emmy, and Spirit Award winners, and the college also trains future game developers in its Interactive Arts and Media department. Through collaborations facilitated by our MFA program, you’ll have many opportunities to score student films and student-produced video games, and make lasting professional partnerships with emerging visual media creators.

Recording Sessions and Portfolio Development

Music Composition MFA Columbia recording sessions

You’ll graduate with a strong portfolio of professional recordings. Several recording sessions in Chicago studios with professional musicians will prepare you for your thesis project, a recording session with a full live orchestra in LA, where you will record an original orchestral score.

Listen to samples of recent work by our alumni.

Alumni Success

Most MFA composition alumni work in the field of music for media, primarily in Hollywood. Established alumni are the backbone of the program’s success, helping today’s graduates and students make connections in the field. Recent alumni have worked on films from Warner Brothers and Universal; TV series on Syfy, ABC, and TBS; PBS documentaries; and best-selling video games.

  • Timothy King MFA ’19 is assistant to composer Germaine Franco (“Tag”, “Dora and the Lost City of Gold”)
  • Khamani Hagood MFA ’18 has “additional music by” credit on the Showtime TV series “Black Monday”
  • Tyler Durham MFA ’17 is assistant to composer James Newton Howard ("Red Sparrow", "Fantastic Beasts: The Crimes of Grindelwald")
  • Jason Deran MFA ’17 is assistant composer to Marcelo Zarvos (“Fences", “Ray Donovan")
  • Alexa Borden MFA ’16 wrote the original score for the feature film “A Kiss on Candy Cane Lane”
  • Emer Kinsella MFA ’16 wrote the original score for the feature film “I Hate New Year’s” and wrote additional music for Netflix feature film “ReMastered: The Lion’s Share”
  • Jesi Nelson MFA ’15 has “additional music by” credit on the Amazon Prime series “Lore”, the Cartoon Network series “Ninjago: Masters of Spinjitzu” as well as on “Lego Star Wars: The Freemaker Adventures”, which received a 2017 Daytime Emmy nomination for best score
  • Batu Sener MFA ’14 is assistant to Oscar-nominated composer John Powell and has “additional music by” credit on the features “How to Train your Dragon: The Hidden World” and “Solo: A Star Wars Story”

More about our alumni 

Program Advisory Council

The program maintains close relationships with a number of working professionals who provide ongoing feedback on the program curriculum and its alignment with the always-changing landscape of visual media composition. Advisory Council members are: Harry Gregson-Williams, Miriam Cutler, Blake Neely, Heather McIntosh, Garry Schyman, Germaine Franco, Nathan Wang, Theodore Shapiro, Joel Douek, Peter Golub, Jeff Rona, and alumni DeAndre Allen-Toole ’17, Jesi Nelson ’15, Jim Lordeman ’13, Allison Cantor ’11, and Andrew Edwards ‘09.