Theatre (BA)

As a leader behind the scenes, you have the vision and initiative to organize and manage a production from beginning to end. In the Theatre bachelor’s degree program at Columbia College Chicago, you’ll start by getting a solid education in theatre history and theory, and then choose a concentration in directing, playwriting, or stage management.

Theatre program Columbia College Chicago rehearsal

Our practice-based curriculum is designed to give you experience leading teams and working through real challenges with faculty mentors. Great leaders in theatre are well-rounded. The program brings three key leadership roles together in practice: the writer, the director, and the stage manager. Designed to mirror the theatre industry, your courses will give you experience across disciplines, allowing you to build strong working relationships with different kinds of theatre professionals. Your courses will cover topics like:

  • The art and craft of design and technical theatre
  • The concepts, vocabulary, and research methods of directing
  • The craft of storytelling in the context of playwriting
  • The organizational and logistical skills for managing productions


You’ll choose a concentration your second year of study. No matter which concentration you choose, you’ll start with foundational courses to build context for your artistic practice. 


You’ll develop strong leadership and collaborative skills as you guide teams of actors, designers, and technicians and work within budgets to stage theatrical productions. You’ll get at least three chances to direct productions, starting with a scene, then a 20-minute one-act play, and finally a full 90-minute production. You’ll develop a professional portfolio of work and take a business course that will provide an overview of directing in all theatre contexts, from professional shows to schools to community engagement. After graduation, many directing students work at theatre companies or apply for graduate study.


As a Playwriting student, you’ll learn how to create unique stories and captivating characters for the stage. You’ll begin by writing short scenes, move on to one-act plays, and finish with full-length plays. In the classroom, your scripts will be given table readings, followed by feedback from your instructors and peers. You’ll then be invited to submit your scripts to be performed in staged readings and workshop productions for live audiences. The program culminates with the fully produced Playwriting Senior Showcase. You’ll learn how to network and collaborate with directors and actors and how to submit your plays for professional production. If you want to pursue graduate school, your faculty mentors will help you apply for programs.

Stage Management

You’ll learn how to conduct every detail of a production, from casting to rehearsing to running the show. Stage managers work on every production at Columbia. They coordinate schedules, run rehearsals, track props and blocking, and collaborate closely with directors. You’ll learn industry standards for paperwork and show calling. You’ll learn how to create a safe, comfortable environment for the entire cast and crew on a number of shows, including large-scale musicals, dance productions, one-acts, and devised theatre. On field trips, you’ll get to watch professional stage managers direct rehearsals and call shows at theaters like Chicago Shakespeare, Steppenwolf, Lyric Opera, and Joffrey Ballet. You’ll work with faculty mentors to create a professional resume, research post-graduate opportunities, and launch your career.

Theatre Studies
The concentration in Theatre Studies is geared toward the scholarly study of theatre. The program endorses academic rigor with significant emphasis on the following areas: theatre history and cultural diversity; analysis of dramatic literature; and theatre and performance theory. Upon successful completion of the program, students will be prepared to work in the theatre industry as dramaturgs and literary managers; teach theatre as practitioners and scholars; work in arts administration and education; or pursue an MFA or MA/PhD program.

The Getz Theater Center

The Getz Courtyard Theater

The Getz Theater Center has four professional-quality stages, a state-of-the-art scene shop, stocked costume shop, and dedicated makeup/prosthetics and lighting labs. You'll get to manage productions, stage your own work, and create in these cutting-edge spaces.

Explore our creative spaces.

Chicago: A Theatre Hub


Chicago is one of the greatest theatre cities in the world. You’ll immerse yourself in the city’s vibrant theatre scene and see productions on a regular basis. Living in Chicago means you’ll have countless opportunities to see new work, stage readings, and network with professional directors and producers. Our faculty members have deep ties in the industry and help students find work opportunities.

Alumni Spotlight

Rose Hamill ’16

Stage manager Rose Hamill ’16 handles the unseen work that makes success possible at Broken Nose, which won the Chicago Emerging Theatre Award in 2018.

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Internships and preprofessional experiences are essential for emerging leaders in the theatre world. An internship will immerse you in a professional theater, expand your experience in the industry, and show you firsthand how professional directors, playwrights, and stage managers lead teams. 

We host two internship fairs each academic year, with attendees ranging from representatives of prominent theaters like Steppenwolf, Victory Gardens, and the Goodman to those of small storefronts. 

Faculty Highlights

Theatre Columbia College Chicago stage manager faculty mentor

Using her industry connections, faculty member Nykol Dedreu guided student Jake Fedorowski to internships at Chicago’s BoHo Theatre and Santa Fe Opera.

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Columbia College Chicago theatre faculty members are working professionals in the field. They bring a wealth of experience to the classroom and are passionate mentors.

  • Paul Amandes is a playwright, lyricist, composer, and director. He’s written many plays and musicals, including Local Wonders, Small, Troubleshoot, Two-Fools Gold, and Model UN.

  • Nykol DeDreu was the production stage manager for Blue Man Group Chicago and has worked as a freelance stage and production manager for regional theaters, contemporary dance troupes, operas, and cruise line theaters. Credits include Utah Shakespeare Festival, The Fulton Theatre, Phoenix Metropolitan Opera, Jacob’s Pillow Dance Festival, Lake Tahoe Shakespeare, Norwegian Cruise Line, Adelaide Fringe Festival, and Rennie Harris Puremovement.

  • Stephanie Shaw has been a theatre critic for the Chicago Reader and a member of the Neo-Futurists theatre company. She wrote and performed regularly for the company’s late-night hit, Too Much Light Makes the Baby Go Blind. She has written and performed in works at several theaters in Chicago and has directed productions for Live Bait Theatre, The Neo-Futurarium, The New York International Fringe Festival, Oak Park Festival Theatre, and the Columbia College Chicago Theatre Department.

  • John Green’s work as a director has been staged at the Edinburgh International Festival and theatre festivals in England, Ireland, Wales, France, Germany, Slovenia, Russia, and Australia. His production of five short plays by Samuel Beckett was a finalist at the Kennedy Center American College Theatre Festival. He has been a regular director for the Indiana Repertory Theatre.

Meet David Castellanos


David Castellanos is thrilled to be teaching for the first time at Columbia College Chicago. He is a practitioner in residence for the Stage Management concentration, which is part of the Theatre, BA degree.

Previously, David has been an adjunct instructor at DePaul University and at the University of Illinois, Chicago. He also team-taught at Loyola University and had guest speaking roles at Bradley University. 

Professionally, David spent 20 years as the Season Production Stage Manager at Writers Theater in Glencoe Illinois. While there, he stage managed many excellent productions including the world premieres of Crime and Punishment, A Minister’s Wife, The Old Man and The Old Moon, The Hunter and The Bear and Trevor the Musical. There were also many great and re-imagined classics such as Hamlet, Misalliance, and Hedda Gabler. 

In addition to Writers Theater, David has stage managed at Chicago Shakespeare Theatre, Northlight Theater, Orlando Shakespeare and Peninsula Players. Like many theatre professionals, he began his career stage managing in storefront theaters such as Live Bait, City Lit Theater and The Body Politic Theater.

David is an active member of Actor’s Equity Association, the union for professional stage managers and actors. 

View all Theatre Department faculty

New Playwriting Fellowship at Columbia College Chicago Demonstrates Commitment to Communities of Color

Kristiana Rae Colón selected as resident playwright for the Madeleine Moore Burrell Playwriting Fellowship.

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