“The [Columbia College Chicago] faculty were so incredibly open and supportive.”

Jamillah James '05

Art and Art History

Jamillah James, a member of the first class of Art History graduates at Columbia College Chicago, puts her skills to use as an assistant curator at a Los Angeles museum.

Jamillah James has been busy. In 2015, she helped open a total of seven art exhibitions for both the organization Art + Practice and the Hammer Museum in Los Angeles, where she serves as an assistant curator. “It’s been very hectic, but it’s been a wonderful learning experience,” she says. “If I’m not in front of my computer, I’m at the library, seeing exhibitions around town, or doing studio visits with local artists.” Occasionally, she’s solving mysteries, too.

A Sleuthing Curator

Last year James’ coworkers dubbed her the “art detective” when she unearthed several forgotten artworks for Charles Gaines: Gridwork 1974–1989, the first major museum retrospective of work by the influential conceptual artist. The show originated at the Studio Museum in Harlem, New York City—where James worked before moving to LA—before it traveled to the Hammer. Though Gaines was well-known on the West Coast, his work had been largely overlooked by institutions. “Many of his works were missing or unaccounted for,” James says. “It was a wonderful opportunity to redress an absence in the museum’s institutional history, and to showcase his brilliance, which was really ahead of its time.”

Finding Her Passion 

James, a New Jersey native, was part of the first class of Art History graduates at Columbia. “The faculty were so incredibly open and supportive,” she says. As a student, she organized several exhibitions on campus—and even some in her own living room as a denizen of Bridgeport live-in exhibition space Texas Ballroom (now called Ballroom Projects). As James balanced school and an internship at the Hyde Park Art Center, she also “appreciated how relaxed the environment was” at Columbia. “It enabled me to dabble in many things ... as I found my way to what I was truly interested in and committed to: art history and visual culture.”

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